Silent Society Spotlights Mack Sennett

By Randy Haberkamp

Charlie Chaplin, Mabel Normand, Fatty Arbuckle, and The Keystone Kops all came to life again, as the Silent Society presented a special program commemorating the publication of The Films of Mack Sennett; Credit Documentation from the Mack Sennett Collection at the Margaret Herrick Library, edited by Warren M. Sherk. Presented in cooperation with the Academy Foundation, the evening began with a special exhibit of Sennett memorabilia from the Mack Sennett collection curated for the occasion and serving as the inaugural presentation in the newly christened Albert Rosenfelder gallery of the newly restored Hollywood Heritage Museum.

The book constitutes the most complete cataloging of the collection of papers and photographs that Mack Sennett donated to the Academy of Motion Picture Arts and Sciences in 1951, and makes this catalog available to the public in unprecedented detail. Editor Warren M. Sherk was present to sign copies of his achievement, and fellow contributors Sam Gill and Harry Garvin were also present for Th the celebration. Sherk was introduced to those attending by Linda Mehr, the Director of the Academy Margaret Herrick Library. Following the book signing and reception, a screening of some representative films of the more than 855 that Sennett produced throughout his career were given voice by resident Silent Society accompanist Michael Mortilla. Among the films presented were Barney Oldfield's Race For Life (1913) featuring Sennett himself, Mabel's Married Life (1914) featuring Sennett favorite Mabel Normand who also served as one of the few pioneer woman directors, The Rounders (1914) starring the ill-fated Roscoe Arbuckle and an early appearance of the little tramp Charlie Chaplin, Yukon Jake (1924) featuring the Lloyds of London insured crossed-eyes of Ben Turpin, and Water Wagons (1925) featuring the seldom-seen Andy Clyde. Prints were provided by Film Preservation Associates. This program was facilitated greatly by the generous support of film historian Anthony Slide. A few copies of the book are still available and may be obtained by calling (213) 937-0776.